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	<title>Comments on: Henry V</title>
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	<description>Tim Irwin&#039;s movie reviews, ranging from the obscure and inane to the recently released.</description>
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		<title>By: This Too Is Meaningless &#187; Blog Archive &#187; The King&#8217;s Speech</title>
		<link>http://thistooismeaningless.com/2010/07/henry-v/comment-page-1/#comment-3817</link>
		<dc:creator>This Too Is Meaningless &#187; Blog Archive &#187; The King&#8217;s Speech</dc:creator>
		<pubDate>Tue, 28 Dec 2010 02:28:50 +0000</pubDate>
		<guid isPermaLink="false">http://thistooismeaningless.com/?p=3152#comment-3817</guid>
		<description>[...] of a kingdom is a tremendous burden.  Other films have captured this, too, such as Henry V [review here], but with a more contemporary script it is easier to sympathize with [...]</description>
		<content:encoded><![CDATA[<p>[...] of a kingdom is a tremendous burden.  Other films have captured this, too, such as Henry V [review here], but with a more contemporary script it is easier to sympathize with [...]</p>
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		<title>By: This Too Is Meaningless &#187; Blog Archive &#187; Henry V (1944)</title>
		<link>http://thistooismeaningless.com/2010/07/henry-v/comment-page-1/#comment-2613</link>
		<dc:creator>This Too Is Meaningless &#187; Blog Archive &#187; Henry V (1944)</dc:creator>
		<pubDate>Mon, 04 Oct 2010 23:50:53 +0000</pubDate>
		<guid isPermaLink="false">http://thistooismeaningless.com/?p=3152#comment-2613</guid>
		<description>[...] of laughter, and the story starts to take on a less somber atmosphere than Kenneth Branagh&#8217;s 1989 remake [review [...]</description>
		<content:encoded><![CDATA[<p>[...] of laughter, and the story starts to take on a less somber atmosphere than Kenneth Branagh&#8217;s 1989 remake [review [...]</p>
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		<title>By: Tim Irwin</title>
		<link>http://thistooismeaningless.com/2010/07/henry-v/comment-page-1/#comment-2323</link>
		<dc:creator>Tim Irwin</dc:creator>
		<pubDate>Tue, 17 Aug 2010 13:17:23 +0000</pubDate>
		<guid isPermaLink="false">http://thistooismeaningless.com/?p=3152#comment-2323</guid>
		<description>Thanks for the comments, Jeff.  Without being particularly knowledgeable about the play itself or Olivier&#039;s version (I&#039;ll watch that this month), I&#039;d have to agree that Branagh&#039;s film is more powerful because of its intimacy.  The close camera adds a unique element to the battle sequences, in particular. Nice writeup on the two films, by the way; I&#039;ll have to read it more carefully after I&#039;m familiar with Olivier&#039;s version.</description>
		<content:encoded><![CDATA[<p>Thanks for the comments, Jeff.  Without being particularly knowledgeable about the play itself or Olivier&#8217;s version (I&#8217;ll watch that this month), I&#8217;d have to agree that Branagh&#8217;s film is more powerful because of its intimacy.  The close camera adds a unique element to the battle sequences, in particular. Nice writeup on the two films, by the way; I&#8217;ll have to read it more carefully after I&#8217;m familiar with Olivier&#8217;s version.</p>
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		<title>By: Jeff (Second Reel)</title>
		<link>http://thistooismeaningless.com/2010/07/henry-v/comment-page-1/#comment-2317</link>
		<dc:creator>Jeff (Second Reel)</dc:creator>
		<pubDate>Mon, 16 Aug 2010 06:17:08 +0000</pubDate>
		<guid isPermaLink="false">http://thistooismeaningless.com/?p=3152#comment-2317</guid>
		<description>&quot;With Branagh’s direction, Henry V feels the epitome of a British filmed play, albeit with enough cinematic flourishes to make it theatrically feasible.&quot;

I would argue ( in fact I have, here: http://second-reel.blogspot.com/2010/08/chorus-lines.html ) that the &quot;filmed play&quot; feeling is exactly what makes this film powerful. By keeping his camera confined to small spaces, Branagh not only keeps his film in line with the Chorus&#039; apologies, but enhances Shakespeare&#039;s thoughts on the brutality and occasional pointlessness of war. This is something that is not present in Olivier&#039;s film, despite his clever approach to the Chorus (and given that he made his film during WW2, quite understandably so).

And I agree with you about Montjoy. Watching his surprise at Henry&#039;s decency and his admiration for his valor is a real kick.</description>
		<content:encoded><![CDATA[<p>&#8220;With Branagh’s direction, Henry V feels the epitome of a British filmed play, albeit with enough cinematic flourishes to make it theatrically feasible.&#8221;</p>
<p>I would argue ( in fact I have, here: <a href="http://second-reel.blogspot.com/2010/08/chorus-lines.html" rel="nofollow">http://second-reel.blogspot.com/2010/08/chorus-lines.html</a> ) that the &#8220;filmed play&#8221; feeling is exactly what makes this film powerful. By keeping his camera confined to small spaces, Branagh not only keeps his film in line with the Chorus&#8217; apologies, but enhances Shakespeare&#8217;s thoughts on the brutality and occasional pointlessness of war. This is something that is not present in Olivier&#8217;s film, despite his clever approach to the Chorus (and given that he made his film during WW2, quite understandably so).</p>
<p>And I agree with you about Montjoy. Watching his surprise at Henry&#8217;s decency and his admiration for his valor is a real kick.</p>
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		<title>By: This Too Is Meaningless &#187; Blog Archive &#187; Thirteen Days</title>
		<link>http://thistooismeaningless.com/2010/07/henry-v/comment-page-1/#comment-2309</link>
		<dc:creator>This Too Is Meaningless &#187; Blog Archive &#187; Thirteen Days</dc:creator>
		<pubDate>Sun, 15 Aug 2010 03:43:42 +0000</pubDate>
		<guid isPermaLink="false">http://thistooismeaningless.com/?p=3152#comment-2309</guid>
		<description>[...] of dire need.  Kennedy here struggles with the same problems that Henry V faced in Henry V [review here].  He has to weigh a great number of factors, not the least of which is the safety of millions of [...]</description>
		<content:encoded><![CDATA[<p>[...] of dire need.  Kennedy here struggles with the same problems that Henry V faced in Henry V [review here].  He has to weigh a great number of factors, not the least of which is the safety of millions of [...]</p>
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